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home·artworks·Portrait of the Artist's Father (Leonard-Sebastien Boudin)
Portrait of the Artist's Father (Leonard-Sebastien Boudin) by Eugene Boudin

plate no. 0343

Portrait of the Artist's Father (Leonard-Sebastien Boudin)

Eugene Boudin, 1850

oilRealismportraitportraitfigureelderly manformal clothingclassical pose
experienced study

Students would develop portrait painting fundamentals including facial proportions, warm earth tone mixing, and creating form through careful value relationships in a limited color palette.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Block in the overall head shape and position with thin burnt umber

  2. step 02

    Establish the darkest darks in the background and clothing

  3. step 03

    Mix warm flesh tones and block in the face's basic light and shadow planes

  4. step 04

    Develop the facial features starting with the eyes and working outward

  5. step 05

    Add warm highlights to the face using yellow ochre and white mixtures

  6. step 06

    Paint the clothing with various brown mixtures, keeping edges soft

  7. step 07

    Refine facial details and add subtle color temperature variations

  8. step 08

    Final touches on highlights and deepest shadows for dimensionality

color palette

primary · burnt umber · yellow ochre · raw umber · titanium white

secondary · burnt sienna · cadmium yellow light · ivory black

Create flesh tones by mixing yellow ochre with white and small amounts of burnt sienna; darken with burnt umber rather than black to maintain warmth

techniques

  • ·glazing for depth
  • ·sfumato blending
  • ·warm underpainting
  • ·alla prima wet-into-wet
  • ·impasto for highlights

common pitfalls

  • →making shadows too cool
  • →overworking facial features
  • →losing overall value structure
  • →making edges too sharp throughout

materials

surface · primed canvas or canvas board, warm tone ground preferred

required

  • ·#4 flat brush
  • ·#2 round brush
  • ·#8 filbert brush
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·canvas 16x20 or similar

optional

  • ·burnt sienna oil paint
  • ·palette knife for mixing
  • ·odorless turpentine
  • ·painting medium

A warm toned ground will help maintain the overall temperature and reduce the amount of paint needed for coverage

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