
plate no. 1107
Recreating this portrait will help students develop skills in color mixing for realistic skin tones and understanding light and shadow to create form. It also provides practice in capturing likeness and creating a sense of depth.
technical profile
approach — 8 steps
Create a light sketch of the oval composition and the figure's basic proportions.
Block in the background with a dark, muted color.
Establish the main shadow shapes on the face and clothing using a mid-tone brown.
Begin layering lighter tones on the face, focusing on the highlights on the forehead, nose, and cheeks.
Mix and apply the various skin tones, blending carefully to create smooth transitions.
Add details to the eyes, nose, and mouth, paying attention to subtle variations in color and value.
Paint the clothing, focusing on the folds and highlights to create a sense of volume.
Refine the details and adjust the values to create a cohesive and realistic portrait.
color palette
primary · titanium white · burnt umber · yellow ochre · cadmium red
secondary · ivory black · ultramarine blue
Skin tones are achieved by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. The dark background and clothing use burnt umber and black, with small amounts of red and blue added for variation.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne