apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the artist Viktor Mikhailovich Vasnetsov
Portrait of the artist Viktor Mikhailovich Vasnetsov by Nikolai Kuznetsov

plate no. 7529

Portrait of the artist Viktor Mikhailovich Vasnetsov

Nikolai Kuznetsov, 1891

oilRealismportraitportraitfigureartistbeardpaletteclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures and clothing folds using visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad, loose strokes of warm browns and ochres.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and proportions.

  5. step 05

    Develop the beard and hair, using a variety of brushstrokes to create texture.

  6. step 06

    Add details to the clothing, capturing the folds and highlights.

  7. step 07

    Paint the palette and brushes, paying attention to the colors and textures.

  8. step 08

    Add final highlights and shadows to enhance the realism of the portrait.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red · ivory black

Mix various shades of brown and blue by combining burnt umber and ultramarine blue with white to achieve the different tones in the clothing and background. Use yellow ochre and cadmium red to create the skin tones, adjusting with white and burnt umber for highlights and shadows.

techniques

  • ·portraiture
  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early.
  • →Using too much paint and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, cadmium red, ivory black)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy