apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Teresa Francisca Mudarra Y Herrera
Portrait of Teresa Francisca Mudarra Y Herrera by Claudio Coello

plate no. 8676

Portrait of Teresa Francisca Mudarra Y Herrera

Claudio Coello, 1690

oilBaroqueportraitportraitfiguredresscurtaintableurn
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex fabric textures. It also provides practice in creating depth through atmospheric perspective and subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and proportions of the figure, table, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of paint.

  3. step 03

    Focus on the face, carefully building up the skin tones and features, paying attention to subtle variations in color and value.

  4. step 04

    Develop the drapery and dress, using a combination of blending and layering to create the illusion of texture and volume.

  5. step 05

    Paint the background, using soft, blended brushstrokes to create a sense of depth and atmosphere.

  6. step 06

    Add details to the table, urn, and other accessories, paying attention to their form and texture.

  7. step 07

    Refine the edges and details throughout the painting, making sure that everything is in harmony.

  8. step 08

    Apply a final glaze to unify the colors and add depth.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use burnt sienna to add warmth to the browns and reds. Create the skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red light.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the painting process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or intense.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#4, #8)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve their flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne