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home·artworks·Portrait of Sonia
Portrait of Sonia by Henri Fantin-Latour

plate no. 1953

Portrait of Sonia

Henri Fantin-Latour, 1890

oilRealismportraitportraitwomandresshatfurfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle value shifts to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and overall pose.

  2. step 02

    Establish the background color with a thin wash of neutral tones.

  3. step 03

    Block in the main areas of color for the skin, dress, hat, and fur, paying attention to the overall value relationships.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle value changes to create form.

  5. step 05

    Develop the details of the dress, hat, and fur, using a variety of brushstrokes to create texture and depth.

  6. step 06

    Add highlights and shadows to enhance the three-dimensionality of the figure.

  7. step 07

    Refine the edges and details, paying attention to the overall harmony of the painting.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of red. Use black and umber for the fur, adding highlights with white and gray. Mix ochre and umber for the hat.

techniques

  • ·portrait sketching
  • ·value studies
  • ·glazing
  • ·blending
  • ·rendering fur texture

common pitfalls

  • →Inaccurate proportions
  • →overly harsh value contrasts
  • →muddy colors
  • →neglecting subtle value shifts
  • →getting lost in details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·soft cloth

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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