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home·artworks·Portrait of Sir Henry Guildford, after Hans Holbein the Younger
Portrait of Sir Henry Guildford, after Hans Holbein the Younger by Wenceslaus Hollar

plate no. 9152

Portrait of Sir Henry Guildford, after Hans Holbein the Younger

Wenceslaus Hollar, 1647

etchingBaroqueportraitportraitfigureclothinghathistorical figureetching
some experience helpful

Recreating this portrait will help students develop skills in rendering form using hatching and cross-hatching techniques, as well as understanding tonal values to create depth and dimension.

technical profile

palette complexity
2
brushwork visibility
1
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the circular frame and the placement of the figure.

  2. step 02

    Outline the major shapes of the figure, including the head, hat, shoulders, and clothing.

  3. step 03

    Start adding the darkest values using closely spaced parallel lines, focusing on areas like the hat, fur, and shadows on the face.

  4. step 04

    Gradually build up the mid-tones by adding more lines, varying the spacing and direction to create different textures.

  5. step 05

    Use cross-hatching to deepen the shadows and create a sense of volume.

  6. step 06

    Pay close attention to the details of the face, using fine lines to define the features and capture the likeness of the subject.

  7. step 07

    Add the details of the clothing and accessories, such as the chain and the patterned fabric.

  8. step 08

    Refine the overall composition by adjusting the values and adding any final details.

color palette

primary · black · white · sepia

secondary · gray

The image is primarily monochromatic, so focus on achieving different shades of gray through varying the density and layering of lines.

techniques

  • ·hatching
  • ·cross-hatching
  • ·stippling
  • ·value gradation
  • ·contour drawing

common pitfalls

  • →Rushing the initial sketch and not paying attention to proportions.
  • →Creating overly uniform lines that lack variation and texture.
  • →Failing to build up the values gradually, resulting in a flat or muddy appearance.
  • →Ignoring the subtle details of the face and clothing.

materials

surface · smooth drawing paper

required

  • ·Smooth paper
  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Ruler
  • ·Fine liner pens (various sizes)
  • ·Tracing paper
  • ·Reference image

optional

  • ·Blending stump
  • ·Magnifying glass
  • ·Drafting compass

Using a variety of pencil grades and pen sizes will help you achieve a wider range of values and textures. Consider using tracing paper to transfer the initial sketch to your final drawing surface.

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