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home·artworks·Portrait of Sergey Nikolaevich Amosov
Portrait of Sergey Nikolaevich Amosov by Mykola Yaroshenko

plate no. 6123

Portrait of Sergey Nikolaevich Amosov

Mykola Yaroshenko, 1886

oilRealismportraitportraitmanbeardhairclothingfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a limited palette and achieving atmospheric effects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas.

  3. step 03

    Mix a range of blues and grays for the background, blending them softly to create depth.

  4. step 04

    Begin refining the facial features, paying close attention to the angles and planes of the face.

  5. step 05

    Develop the beard and hair, using short, broken strokes to suggest texture.

  6. step 06

    Add details to the clothing, capturing the folds and shadows.

  7. step 07

    Refine the highlights and shadows throughout the painting to enhance the sense of form.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and atmospheric effect.

color palette

primary · Prussian Blue · Titanium White · Raw Umber

secondary · Payne's Gray · Ivory Black

Mix various shades of blue and gray by combining Prussian Blue, Titanium White, and Raw Umber. Use Payne's Gray and Ivory Black sparingly to deepen shadows.

techniques

  • ·Underpainting
  • ·Glazing
  • ·Scumbling
  • ·Dry brushing
  • ·Blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the monochromatic feel.
  • →Ignoring the subtle shifts in value that create form.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Prussian Blue oil paint
  • ·Titanium White oil paint
  • ·Raw Umber oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel

A toned canvas (light gray or blue-gray) can be helpful for establishing the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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