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home·artworks·Portrait of Sem (Georges Goursat)
Portrait of Sem (Georges Goursat) by Giovanni Boldini

plate no. 1907

Portrait of Sem (Georges Goursat)

Giovanni Boldini, 1901

oilRealismportraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating subtle value changes to suggest form. It also provides practice in loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with a thin wash of dark brown and umber tones.

  3. step 03

    Block in the main areas of the face with light and shadow, focusing on the planes of the face.

  4. step 04

    Develop the details of the eyes, nose, and mouth, using subtle color variations to create depth.

  5. step 05

    Paint the hair with loose, expressive brushstrokes, capturing the highlights and shadows.

  6. step 06

    Add the clothing, paying attention to the folds and textures.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining black, umber, and sienna with white. Use small amounts of yellow ochre and cadmium red to warm up the skin tones.

techniques

  • ·portrait sketching
  • ·value studies
  • ·alla prima
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details of the face, resulting in a stiff and unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Using too much detail in the background, distracting from the main subject.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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