
plate no. 6657
William Hogarth, 1733
Recreating this painting will help students develop skills in creating a limited palette and using value to create form. It also provides practice in capturing the texture of fabric and stone with visible brushstrokes.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, table, and window.
Establish the overall value structure with a thin wash of burnt umber.
Block in the main shapes of the figure, table, and background with their respective local colors.
Refine the values and edges of the figure, paying attention to the light and shadow.
Add details to the face, hands, and clothing, using small brushstrokes.
Develop the texture of the stone walls and the wooden table with visible brushstrokes.
Paint the window bars and the light coming through the window.
Add the rosary on the table as a final detail.
color palette
primary · burnt umber · titanium white · ivory black
secondary · yellow ochre · raw sienna
Use burnt umber and white to create a range of neutral tones for the walls and table. Mix black and white for the dress, and add touches of yellow ochre to warm the highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to help create the desired texture. Consider using a toned canvas to speed up the painting process.
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