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home·artworks·Portrait of Samuel Ampzing
Portrait of Samuel Ampzing by Frans Hals

plate no. 8691

Portrait of Samuel Ampzing

Frans Hals, 1630

oil, copperBaroqueportraitportraitfigurebookcollarbeardman
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating depth and form through subtle value changes and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, book, and collar.

  2. step 02

    Establish the background color with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of color for the face, beard, clothing, and book, focusing on the overall value structure.

  4. step 04

    Begin refining the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Add details to the beard and collar, using small brushstrokes to create texture.

  6. step 06

    Develop the form of the book, adding highlights and shadows to suggest its shape.

  7. step 07

    Refine the details of the hands, paying attention to the knuckles and creases.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · cadmium red light

Mix various shades of brown and beige for the skin tones by combining burnt umber, raw sienna, and titanium white. Add small amounts of cadmium red light for warmth in the cheeks and lips. Use ivory black to darken the shadows in the clothing and beard.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle value changes.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·#2 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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