
plate no. 9568
Matthias Stom, 1639
This painting offers a good opportunity to practice portraiture, drapery, and creating a sense of depth through light and shadow. Students can develop skills in color mixing to achieve realistic skin tones and fabric textures.
technical profile
approach — 8 steps
Begin with a light sketch outlining the figure, table, and major elements.
Establish the background with a dark, muted tone, paying attention to the light source.
Block in the main shapes of the figure, focusing on proportions and pose.
Start building up the skin tones with layers of color, focusing on highlights and shadows.
Paint the drapery, capturing the folds and highlights with careful brushstrokes.
Add details to the face, including the eyes, nose, and mouth.
Refine the details of the hands and writing implement.
Add final touches and highlights to create a sense of realism.
color palette
primary · raw umber · titanium white · ultramarine blue
secondary · yellow ochre · cadmium red light · ivory black
Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use yellow ochre and cadmium red to create warm skin tones. Mix ultramarine blue with white and a touch of yellow ochre for the robe's blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne