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home·artworks·Portrait of S.V. Panina
Portrait of S.V. Panina by Mykola Yaroshenko

plate no. 5341

Portrait of S.V. Panina

Mykola Yaroshenko, 1892

oilRealismportraitportraitfiguredressfabricwomandark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures with subtle color variations. It also provides practice in creating depth and form using light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and torso.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main colors of the dress and skirt, paying attention to the overall value structure.

  4. step 04

    Begin to refine the facial features, focusing on accurate placement and proportions.

  5. step 05

    Develop the folds and highlights in the fabric of the dress, using a variety of brushstrokes.

  6. step 06

    Add details to the lace collar and other embellishments.

  7. step 07

    Refine the hands and other details, paying attention to the subtle variations in color and value.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ivory black · alizarin crimson · ultramarine blue · raw umber

secondary · titanium white · yellow ochre · cadmium red light

Achieve the subtle pinks and purples of the dress by mixing alizarin crimson with titanium white and a touch of ultramarine blue. Use raw umber and ivory black to create the dark background and shadows.

techniques

  • ·portrait sketching
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and form.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the painting.

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oil painting for beginners →how to learn by studying the masters →
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