apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Ruth Edwards
Portrait of Ruth Edwards by Henri Fantin-Latour

plate no. 2813

Portrait of Ruth Edwards

Henri Fantin-Latour, 1864

oil, canvasRealismportraitportraitfigurewomanclothingjewelryhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle variations in skin tone. It also provides practice in depicting fabric and details like jewelry.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose on the canvas.

  2. step 02

    Block in the main areas of color: skin, hair, clothing, and background.

  3. step 03

    Begin refining the skin tones, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the hair, using thin layers of paint to create texture.

  5. step 05

    Work on the clothing, focusing on the folds and highlights to create a sense of volume.

  6. step 06

    Add the details of the jewelry, using small brushes to capture the intricate designs.

  7. step 07

    Refine the background, ensuring it complements the figure without distracting from it.

  8. step 08

    Add final highlights and shadows to enhance the overall realism of the portrait.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · yellow ochre · cadmium yellow light · alizarin crimson

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of alizarin crimson. Use yellow ochre and cadmium yellow light for the gold jewelry. Darken colors with ivory black.

techniques

  • ·portrait sketching
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in skin tone.
  • →Overworking details, leading to a stiff or unnatural appearance.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, raw umber, burnt sienna, ivory black, yellow ochre, alizarin crimson)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Soft cloths

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy