apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Richard Neville
Portrait of Richard Neville by William Dobson

plate no. 1421

Portrait of Richard Neville

William Dobson, 1643

oil, canvasBaroqueportraitportraitfiguredoglandscapearmorweapon
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex textures like fabric and hair. It also provides practice in creating depth and atmosphere through layering and glazing.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and proportions of the figure, dog, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Start building up the skin tones using a limited palette of earth tones, gradually adding highlights and shadows.

  4. step 04

    Focus on rendering the details of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Work on the clothing and accessories, capturing the textures and folds of the fabric.

  6. step 06

    Develop the background elements, creating a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white. Use ultramarine blue and burnt umber to create dark shadows. Mix cadmium red with white for the red fabric.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overworking the details too early.
  • →Failing to create a sense of depth.
  • →Inaccurate skin tones.
  • →Losing the overall value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouching varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne