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home·artworks·Portrait of Rebeca Matte
Portrait of Rebeca Matte by Vittorio Matteo Corcos

plate no. 6007

Portrait of Rebeca Matte

Vittorio Matteo Corcos, 1929

oil, canvasRealismportraitportraitfiguredressbustdraperycolumn
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle value gradations to suggest form and depth.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure, bust, and background elements.

  2. step 02

    Block in the main shapes and values using a limited palette of grays and whites.

  3. step 03

    Refine the facial features, paying close attention to the light and shadow patterns to create a sense of depth.

  4. step 04

    Develop the details of the dress, focusing on the intricate patterns and textures.

  5. step 05

    Render the drapery and background elements, using soft blending techniques to create a sense of atmosphere.

  6. step 06

    Add highlights and shadows to the bust to create a three-dimensional effect.

  7. step 07

    Adjust the overall values and contrast to create a cohesive and balanced composition.

  8. step 08

    Add final details and refine edges to complete the painting.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Mix various shades of gray by combining ivory black and titanium white. Add small amounts of raw umber or yellow ochre to create warmer or cooler tones.

techniques

  • ·grisaille
  • ·value study
  • ·portraiture
  • ·fabric rendering
  • ·blending

common pitfalls

  • →Failing to establish accurate proportions in the initial sketch.
  • →Overworking the details before establishing the overall values.
  • →Creating harsh transitions between light and shadow.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a smooth canvas for best results. Consider using a medium to improve the flow and blending of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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