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home·artworks·Portrait of Rakhil Semenovna Isakovich
Portrait of Rakhil Semenovna Isakovich by Nikolai Kuznetsov

plate no. 2790

Portrait of Rakhil Semenovna Isakovich

Nikolai Kuznetsov, 1899

oilRealismportraitportraitwomanclothinghatfigureface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also provides practice in depicting textures, such as fabric and hair.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hat.

  2. step 02

    Establish the background with broad, loose strokes, using a limited palette of browns and grays.

  3. step 03

    Block in the main areas of color on the face, paying attention to the highlights and shadows.

  4. step 04

    Refine the facial features, such as the eyes, nose, and mouth, using smaller brushes and more precise strokes.

  5. step 05

    Paint the clothing and hat, focusing on the textures and folds of the fabric.

  6. step 06

    Add details to the hair, creating a sense of volume and movement.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · ivory black · burnt umber · yellow ochre · titanium white

secondary · cadmium red light · ultramarine blue

Achieve skin tones by mixing yellow ochre, cadmium red light, and titanium white. Use burnt umber and ivory black for shadows and dark areas. Add small amounts of ultramarine blue to darken shadows.

techniques

  • ·portrait painting
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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