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home·artworks·Portrait of prof. Ivan Shishmanov
Portrait of prof. Ivan Shishmanov by Ivan Mrkviсka

plate no. 8529

Portrait of prof. Ivan Shishmanov

Ivan Mrkviсka, 1901

oilRealismportraitportraitfiguremanbooksclothingwriting
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness, rendering skin tones, and creating a sense of depth through value and color variations. It also provides practice in painting realistic textures and details, such as clothing and books.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and books.

  2. step 02

    Establish the background using a dark, muted color palette.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the details of the clothing, hair, and hands, using a variety of brushstrokes to create texture.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Paint the books in the background, simplifying the details and focusing on their overall shape and value.

  8. step 08

    Add final details and adjustments to refine the overall composition and create a cohesive image.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue. Use raw umber and ivory black for dark areas, lightening with white for highlights. Mix ultramarine blue and burnt sienna for the dark clothing.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Incorrect proportions of the face
  • →Overblending skin tones
  • →Ignoring subtle value changes
  • →Getting lost in details too early
  • →Uneven skin tones

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Ivory black oil paint
  • ·Raw umber oil paint
  • ·Burnt sienna oil paint
  • ·Titanium white oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Odorless mineral spirits

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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