
plate no. 4766
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in subtle color blending and creating a sense of depth.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and chair.
Establish the background with a thin wash of muted colors.
Block in the main areas of color for the face, clothing, and chair.
Begin refining the facial features, paying close attention to highlights and shadows.
Develop the textures and details of the clothing, including the folds and embellishments.
Add details to the hair, using small brushstrokes to create texture.
Refine the background and adjust the overall values to create depth.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · raw umber · burnt sienna · ultramarine blue
secondary · yellow ochre · cadmium red light · ivory black
Achieve the skin tones by mixing titanium white, raw umber, and a touch of cadmium red light. The blue sash is a mix of ultramarine blue and titanium white, with touches of ivory black for shadows. The red coat is a mix of burnt sienna and cadmium red light, with raw umber for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended for this project.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne