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home·artworks·Portrait of Philip Rubens
Portrait of Philip Rubens by Peter Paul Rubens

plate no. 9802

Portrait of Philip Rubens

Peter Paul Rubens, 1611

oilBaroqueportraitportraitfiguremaleruffbeardclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportion and capturing likeness, as well as understanding chiaroscuro and creating depth through subtle value changes. It also provides practice in rendering textures like fabric and hair.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall proportions and placement of the figure.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on establishing the background, gradually building up layers of color and texture.

  4. step 04

    Start developing the face, paying close attention to the light and shadow patterns.

  5. step 05

    Refine the details of the ruff, using small brushstrokes to create the folds and textures.

  6. step 06

    Work on the clothing, building up layers of dark colors and adding highlights to create depth.

  7. step 07

    Add final details, such as the hair and beard, using a fine brush.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · burnt umber · raw umber · titanium white · yellow ochre

secondary · cadmium red · ivory black

Mix various shades of brown and gray by combining burnt umber, raw umber, ivory black, and titanium white. Add small amounts of yellow ochre or cadmium red to warm up the skin tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle value changes that create depth.
  • →Making the colors too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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