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home·artworks·Portrait of P.A. Kostichev
Portrait of P.A. Kostichev by Nikolai Ge

plate no. 4667

Portrait of P.A. Kostichev

Nikolai Ge, 1892

oilRealismportraitportraitmanbeardbooksbookshelffigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It also offers practice in depicting textures like hair and fabric, and creating depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure and the bookshelf.

  2. step 02

    Establish the background by painting the bookshelf with varying shades of brown and beige, suggesting the books.

  3. step 03

    Block in the main shapes of the figure using a limited palette of browns, grays, and blacks.

  4. step 04

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the beard and hair, using short, broken brushstrokes to create texture and volume.

  6. step 06

    Add details to the clothing, focusing on the folds and shadows to create a sense of depth.

  7. step 07

    Refine the lighting and shadows throughout the painting, adding highlights to the face and clothing.

  8. step 08

    Add final details and adjustments to achieve a realistic and expressive portrait.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Achieve skin tones by mixing burnt umber, raw sienna, and white, with small amounts of red for warmth. Use black and white to create varying shades of gray for the clothing and background.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·chiaroscuro

common pitfalls

  • →Getting proportions wrong in the initial sketch.
  • →Overblending skin tones, resulting in a flat appearance.
  • →Ignoring subtle value changes, leading to a lack of depth.
  • →Getting lost in the details of the books, neglecting the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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