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home·artworks·Portrait of Otto Shmidt
Portrait of Otto Shmidt by Mikhaïl Nesterov

plate no. 5114

Portrait of Otto Shmidt

Mikhaïl Nesterov, 1937

oil, canvasRealismportraitportraitmanbearddeskbookstelephone
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict textures like fabric and paper.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, desk, and objects.

  2. step 02

    Establish the background with broad strokes, focusing on the dark, muted tones.

  3. step 03

    Block in the main areas of color for the figure's face, hair, and clothing, paying attention to the light and shadow patterns.

  4. step 04

    Refine the facial features, focusing on capturing the likeness and expression of the subject.

  5. step 05

    Add details to the clothing, desk, and objects, such as the books and telephone, using smaller brushes.

  6. step 06

    Develop the textures of the beard, hair, and fabric with varied brushstrokes.

  7. step 07

    Adjust the values and colors throughout the painting to create depth and dimension.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue · burnt sienna

Achieve skin tones by mixing yellow ochre, burnt sienna, and titanium white, with small amounts of cadmium red and ultramarine blue for subtle variations. Darken colors with raw umber and ivory black.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·color mixing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, ivory black, titanium white, yellow ochre, cadmium red, ultramarine blue, burnt sienna)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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