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Portrait of old woman by Grigoriy Myasoyedov

plate no. 9978

Portrait of old woman

Grigoriy Myasoyedov

oil, canvasRealismportraitportraitold womanheadscarffigureclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, specifically capturing the likeness and texture of an elderly face, as well as understanding subtle value shifts to create form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
5

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and headscarf.

  2. step 02

    Establish the main light and shadow areas on the face and clothing with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations, paying attention to the wrinkles and folds.

  4. step 04

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  5. step 05

    Work on the headscarf, using darker values to create depth and dimension.

  6. step 06

    Develop the background with soft, blended tones.

  7. step 07

    Add final highlights and details to the face and clothing to enhance the realism.

  8. step 08

    Refine the edges and overall composition to create a cohesive and compelling portrait.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · yellow ochre · alizarin crimson

Achieve skin tones by mixing raw sienna, burnt umber, and titanium white, with small amounts of alizarin crimson for warmth. Use ivory black and burnt umber for the darks in the headscarf and clothing.

techniques

  • ·portrait drawing
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the correct proportions of the face.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the subtle value shifts that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, yellow ochre, alizarin crimson)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted round and flat brushes
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grit canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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