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home·artworks·Portrait of Nikolaj Nikolajewitsch Ge
Portrait of Nikolaj Nikolajewitsch Ge by Mykola Yaroshenko

plate no. 3614

Portrait of Nikolaj Nikolajewitsch Ge

Mykola Yaroshenko, 1890

oilRealismportraitportraitfigurebeardtablebookpainting
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures like hair and fabric.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and the placement of the figure and objects.

  2. step 02

    Establish the background with broad, dark tones, leaving room for the figure and painting in the background painting.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and proportions.

  5. step 05

    Develop the beard and hair, using layering and directional brushstrokes to create texture.

  6. step 06

    Add details to the clothing and hands, paying attention to folds and highlights.

  7. step 07

    Paint the table and objects on it, focusing on accurate rendering and reflections.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the painting.

color palette

primary · ivory black · burnt umber · raw sienna · cadmium red

secondary · ultramarine blue · yellow ochre · titanium white

Achieve skin tones by mixing burnt umber, raw sienna, cadmium red, and titanium white. Use ivory black and ultramarine blue for dark shadows. Mix yellow ochre with white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Neglecting subtle color variations in the skin tones.
  • →Failing to capture the texture of the beard and hair.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →how to learn by studying the masters →
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