apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Nikolai Lanin
Portrait of Nikolai Lanin by Vasily Perov

plate no. 3672

Portrait of Nikolai Lanin

Vasily Perov, 1869

oil, canvasRealismportraitportraitfiguremanbeardclothingoval
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It also offers practice in creating subtle tonal variations and soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the figure's pose, paying attention to proportions.

  2. step 02

    Establish the main light and shadow areas with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the background with a muted green or gray, blending it softly.

  4. step 04

    Begin building up the skin tones, using thin layers of color and blending carefully.

  5. step 05

    Paint the clothing, focusing on the folds and highlights.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small brushes.

  7. step 07

    Refine the beard and hair, paying attention to the direction of the strands.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · titanium white · raw sienna · ivory black

secondary · alizarin crimson · yellow ochre · viridian

Achieve skin tones by mixing white, raw sienna, and a touch of alizarin crimson. Muted greens can be created by mixing viridian with burnt umber and white.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Neglecting the importance of soft edges.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, titanium white, raw sienna, ivory black, alizarin crimson, yellow ochre, viridian)
  • ·assorted brushes (round and flat, sizes 2-8)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags or paper towels

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas for easier value establishment.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy