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home·artworks·Portrait of Nathaniel Lee
Portrait of Nathaniel Lee by William Dobson

plate no. 4973

Portrait of Nathaniel Lee

William Dobson

mezzotintBaroqueportraitportraitfiguremanoval frameclothinghair
some experience helpful

Recreating this portrait will help students understand chiaroscuro and how to model form using subtle gradations of light and shadow. It also offers practice in rendering textures like hair and fabric with a limited palette.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval frame and the basic proportions of the figure.

  2. step 02

    Establish the darkest areas of the background and the darkest shadows on the figure.

  3. step 03

    Begin to build up the mid-tones, focusing on the planes of the face and the folds of the clothing.

  4. step 04

    Carefully blend the transitions between light and shadow to create a smooth, tonal effect.

  5. step 05

    Add highlights to the face, hair, and clothing to create a sense of depth and volume.

  6. step 06

    Refine the details of the facial features, paying attention to the subtle nuances of expression.

  7. step 07

    Work on the texture of the hair, using short, broken strokes to suggest individual strands.

  8. step 08

    Make final adjustments to the values and details to achieve a balanced and harmonious composition.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre

Mix raw umber and ivory black to create a range of neutral grays. Add small amounts of titanium white to lighten the values. Use yellow ochre sparingly to warm up certain areas.

techniques

  • ·chiaroscuro
  • ·tonal painting
  • ·blending
  • ·dry brushing
  • ·value study

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh transitions between light and shadow.
  • →Using too much contrast, resulting in a muddy or unrealistic effect.
  • →Failing to accurately capture the proportions and anatomy of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·soft cloth

A smooth canvas is recommended for achieving the subtle gradations of tone in this painting. Consider using a toned canvas to speed up the process.

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related guides

chiaroscuro →how to learn by studying the masters →
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