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home·artworks·Portrait of Natalia Petrunkevich
Portrait of Natalia Petrunkevich by Nikolai Ge

plate no. 1666

Portrait of Natalia Petrunkevich

Nikolai Ge, 1892

oilRealismportraitfigurewindowgardenbookportraittrees
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing subtle facial features and creating depth using atmospheric perspective in the background. It also provides practice in rendering fabric and textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, the window frame, and the basic layout of the garden scene.

  2. step 02

    Establish the darkest and lightest values to create a tonal map.

  3. step 03

    Begin blocking in the background garden scene with loose, impressionistic brushstrokes, focusing on color variations.

  4. step 04

    Paint the figure, paying attention to the subtle shifts in light and shadow on the face and clothing.

  5. step 05

    Refine the details of the window frame, adding texture and highlights.

  6. step 06

    Develop the details of the book, focusing on its form and the light catching its edges.

  7. step 07

    Add final highlights and shadows to enhance the depth and realism of the painting.

  8. step 08

    Glaze or scumble to unify the colors and create a sense of atmosphere.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · sap green · cerulean blue · alizarin crimson

Achieve the dark tones by mixing ivory black and raw umber. Create the skin tones by mixing titanium white, yellow ochre, and a touch of alizarin crimson. Use cerulean blue and sap green to create the foliage.

techniques

  • ·portraiture
  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong tonal foundation.
  • →Ignoring the subtle color variations in the shadows.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a toned canvas (e.g., raw umber wash) to establish a mid-tone base.

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oil painting for beginners →how to learn by studying the masters →
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