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home·artworks·Portrait of Mykola Petrov
Portrait of Mykola Petrov by Oleksandr Murashko

plate no. 2205

Portrait of Mykola Petrov

Oleksandr Murashko, 1898

oilRealismportraitfigureportraitchairmanclothingindoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones. It also provides practice in rendering clothing and furniture with subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and background.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle color variations and highlights.

  4. step 04

    Develop the details of the clothing, focusing on the folds and textures.

  5. step 05

    Add details to the chair and background, maintaining a soft and slightly blurred effect.

  6. step 06

    Refine the facial features, capturing the likeness and expression of the subject.

  7. step 07

    Add final highlights and shadows to enhance the depth and realism of the painting.

  8. step 08

    Review the painting as a whole and make any necessary adjustments to the composition, color, and value.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use yellow ochre and burnt sienna to warm up the skin tones. Add small amounts of ultramarine blue to create cooler shadows.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Neglecting the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to establish a base color and simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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