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home·artworks·Portrait of my mother peeling a turnip, in front of a window
Portrait of my mother peeling a turnip, in front of a window by Émile Friant

plate no. 5398

Portrait of my mother peeling a turnip, in front of a window

Émile Friant, 1887

oilRealismgenre paintingfigurewindowinteriorstill lifebuildingsky
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and capturing the effects of light filtering through a window. It also provides practice in creating depth and atmosphere using subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, window, and major objects.

  2. step 02

    Establish the dark and light areas using a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the background, including the sky, buildings, and interior walls.

  4. step 04

    Begin layering colors on the figure, paying attention to the subtle shifts in value and hue.

  5. step 05

    Develop the details of the still life on the windowsill, focusing on accurate color and form.

  6. step 06

    Refine the window frame and the light streaming through it, adding highlights and shadows.

  7. step 07

    Add final details and adjust values to create a sense of depth and realism.

  8. step 08

    Varnish the painting when dry to protect the surface and enhance the colors.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium yellow light

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use yellow ochre and burnt sienna to create warm highlights and skin tones. Add small amounts of ultramarine blue to darken shadows and create cool tones.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the subtle shifts in color and value caused by light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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