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home·artworks·Portrait of Mrs. Kern Dodge (Helen Peterson Greene)
Portrait of Mrs. Kern Dodge (Helen Peterson Greene) by Thomas Eakins

plate no. 4532

Portrait of Mrs. Kern Dodge (Helen Peterson Greene)

Thomas Eakins, 1904

oil, canvasRealismportraitportraitfiguredresshairfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also provides practice in creating form through light and shadow and depicting fabric texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a neutral color like burnt umber.

  2. step 02

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  3. step 03

    Block in the main areas of color, starting with the background and then the larger areas of the dress and skin.

  4. step 04

    Begin to refine the shapes and values of the face, paying close attention to the light and shadow.

  5. step 05

    Develop the details of the dress, focusing on the folds and textures of the fabric.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the hair and the brooch.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · alizarin crimson · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use ivory black and raw umber to create the dark background. Mix white with small amounts of umber and sienna to create the off-white color of the dress.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the correct proportions of the face.
  • →Creating muddy or dull colors by overmixing.
  • →Ignoring the subtle shifts in value that create form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, yellow ochre, burnt sienna, alizarin crimson, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

A smooth canvas is recommended for this style of painting. Consider using a pre-primed canvas or applying several layers of gesso.

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oil painting for beginners →how to learn by studying the masters →
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