
plate no. 4532
Thomas Eakins, 1904
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also provides practice in creating form through light and shadow and depicting fabric texture.
technical profile
approach — 8 steps
Prepare a toned canvas with a neutral color like burnt umber.
Lightly sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.
Block in the main areas of color, starting with the background and then the larger areas of the dress and skin.
Begin to refine the shapes and values of the face, paying close attention to the light and shadow.
Develop the details of the dress, focusing on the folds and textures of the fabric.
Add highlights and shadows to create depth and dimension.
Refine the details of the hair and the brooch.
Make final adjustments to the values and colors to create a cohesive and realistic portrait.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · burnt sienna · alizarin crimson · ultramarine blue
Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use ivory black and raw umber to create the dark background. Mix white with small amounts of umber and sienna to create the off-white color of the dress.
techniques
common pitfalls
surface · stretched canvas
required
optional
A smooth canvas is recommended for this style of painting. Consider using a pre-primed canvas or applying several layers of gesso.
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