
plate no. 3219
Thomas Eakins, 1908
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle color variations and creating soft, diffused lighting.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, dress, and background.
Establish the overall value structure with a thin wash of burnt umber or a similar neutral tone.
Block in the main areas of color, focusing on the large shapes of the dress, background, and skin tones.
Begin refining the skin tones, paying attention to subtle shifts in color and value.
Develop the details of the dress, including the lace and embellishments.
Work on the background, creating a sense of depth and atmosphere.
Add highlights and shadows to create form and dimension.
Refine the details and make any necessary adjustments to the composition.
color palette
primary · titanium white · burnt umber · yellow ochre
secondary · alizarin crimson · ultramarine blue
Skin tones are achieved by mixing white, yellow ochre, burnt umber, and small amounts of alizarin crimson and ultramarine blue. The dress is primarily white with subtle tints of yellow ochre and blue. The background is a mix of burnt umber and alizarin crimson.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.
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