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home·artworks·Portrait of Menzel's brother Richard
Portrait of Menzel's brother Richard by Adolph Menzel

plate no. 1099

Portrait of Menzel's brother Richard

Adolph Menzel, 1846

oilRealismportraitportraitfiguremanhairclothingprofile
some experience helpful

Recreating this painting will help students develop skills in portraiture, specifically in capturing subtle tonal variations in skin and hair, and in creating a sense of depth using warm and cool colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the head and shoulders.

  2. step 02

    Establish the main light and shadow areas with a thin wash of burnt umber.

  3. step 03

    Block in the background with a warm ochre tone.

  4. step 04

    Begin layering in the skin tones, focusing on the subtle shifts in value and temperature.

  5. step 05

    Paint the hair, paying attention to the direction of the light and the individual strands.

  6. step 06

    Add details to the clothing and collar.

  7. step 07

    Refine the facial features, focusing on the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and a hint of blue to the skin tone mixture. Hair is a mix of black, burnt umber, and a touch of blue.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in details too early in the process.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·cadmium red light
  • ·ultramarine blue

Use a canvas with a smooth surface for easier blending. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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