apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Mary Moll Davis (fl.1663-1669)
Portrait of Mary Moll Davis (fl.1663-1669) by Mary Beale

plate no. 6813

Portrait of Mary Moll Davis (fl.1663-1669)

Mary Beale, 1675

oilBaroqueportraitfigureportraitdraperyurncolumncurtain
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice with depicting fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and placement of the urn and background elements.

  2. step 02

    Establish the background with thin washes of color, paying attention to the subtle variations in tone.

  3. step 03

    Block in the main shapes of the figure, including the face, hair, and clothing, using simplified color masses.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle shading to create form.

  5. step 05

    Develop the drapery, paying attention to the folds and highlights to create a sense of volume and texture.

  6. step 06

    Render the urn, using highlights and shadows to create a sense of depth and metallic sheen.

  7. step 07

    Add details to the background and clothing, such as the lace trim and architectural elements.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and polished painting.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium red · ivory black

Mix skin tones using white, yellow ochre, and a touch of red. Achieve the blue drapery by mixing ultramarine blue with white and a touch of burnt umber for shadows. Create the gold urn with yellow ochre, burnt umber, and white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·drapery study
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure
  • →Overblending the skin tones, resulting in a flat appearance
  • →Ignoring the subtle color variations in the drapery
  • →Failing to create a sense of depth in the background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne