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home·artworks·Portrait of Mary Adeline Williams
Portrait of Mary Adeline Williams by Thomas Eakins

plate no. 1786

Portrait of Mary Adeline Williams

Thomas Eakins, 1899

oil, canvasRealismportraitportraitfigurewomanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and collar.

  2. step 02

    Establish the darkest and lightest values to define the overall tonal range.

  3. step 03

    Block in the main areas of color, focusing on the skin tones, hair, and clothing.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle variations in value and color.

  5. step 05

    Develop the details of the clothing, capturing the folds and textures.

  6. step 06

    Refine the background, ensuring it complements the subject without distracting from it.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of depth.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt sienna or alizarin crimson. Use ivory black and raw umber for the dark clothing, adding white for highlights.

techniques

  • ·portrait sketching
  • ·value studies
  • ·color mixing
  • ·blending
  • ·glazing

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated
  • →Ignoring the subtle variations in skin tone

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (ivory black, raw umber, titanium white, yellow ochre, burnt sienna, alizarin crimson)
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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