
plate no. 1668
David Burliuk, 1933
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. It also provides practice in capturing likeness and expression.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.
Block in the background with a thin layer of red, noting variations in tone.
Establish the main areas of light and shadow on the face and neck using a limited palette of yellows, browns, and whites.
Begin to refine the facial features, paying close attention to the shapes of the eyes, nose, and mouth.
Add details to the hair, using short, broken brushstrokes to create texture.
Define the clothing with darker tones, suggesting folds and shadows.
Refine the edges and details throughout the painting, adjusting values and colors as needed.
Add final highlights and shadows to enhance the form and create a sense of depth.
color palette
primary · cadmium red · yellow ochre · titanium white · burnt umber
secondary · ultramarine blue · ivory black
Mix yellow ochre and white for the base skin tone, adding small amounts of red and umber for warmth and shadow. Use ultramarine blue and white for the eyes. Mix black and umber for the darker areas of the clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.
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