
plate no. 7629
Thomas Pollock Anshutz, 1906
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds with light and shadow. It also provides practice in creating a complex background with subtle color variations.
technical profile
approach — 8 steps
Lightly sketch the overall composition, focusing on proportions and placement of the figure.
Block in the main shapes and values using thin washes of color.
Establish the background, paying attention to the subtle color variations and patterns.
Begin refining the face, focusing on accurate proportions and capturing the likeness.
Develop the details of the dress, using layers of paint to create the folds and textures.
Add details to the hands and other accessories.
Refine the overall painting, adjusting values and colors as needed.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · ivory black · raw umber · burnt sienna
secondary · cadmium red light · yellow ochre · ultramarine blue
Achieve the off-white of the dress by mixing titanium white with small amounts of raw umber, yellow ochre, and ivory black. The skin tones are created using a combination of titanium white, cadmium red light, yellow ochre, and a touch of ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.
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