apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Marie Maxmiliány Ze Šternberka, Provdané Lažanské
Portrait of Marie Maxmiliány Ze Šternberka, Provdané Lažanské by Karel Škréta

plate no. 8679

Portrait of Marie Maxmiliány Ze Šternberka, Provdané Lažanské

Karel Škréta

oilBaroqueportraitfigureportraitdresslandscapeflowersstaff
some experience helpful

Recreating this painting will help students develop skills in portraiture, fabric rendering, and creating atmospheric backgrounds. It also offers practice in depicting delicate details like jewelry and floral arrangements.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Block in the background with broad, blended strokes, establishing the light and shadow.

  3. step 03

    Establish the basic values and colors of the dress, paying attention to the folds and highlights.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle shading.

  5. step 05

    Add details to the dress, including the ribbons and trim.

  6. step 06

    Paint the floral crown and jewelry, capturing their delicate details.

  7. step 07

    Refine the background and add any final details, such as the staff.

  8. step 08

    Glaze to unify the colors and values.

color palette

primary · titanium white · ivory black · cadmium red light · yellow ochre

secondary · ultramarine blue · alizarin crimson · raw umber

Mix various shades of gray and brown for the background. Use white with touches of red and blue to create the dress's subtle hues. Mix pinks and reds for the ribbons and flowers.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the background.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium can be used to adjust the consistency and drying time of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne