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home·artworks·Portrait of Marie Louise of Orléans (1662–1689), Queen consort of Spain
Portrait of Marie Louise of Orléans (1662–1689), Queen consort of Spain by Juan Carreño de Miranda

plate no. 8795

Portrait of Marie Louise of Orléans (1662–1689), Queen consort of Spain

Juan Carreño de Miranda

oilBaroqueportraitportraitfiguredresscurtainbookroyal
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and capturing the texture and details of clothing. It also offers practice in creating depth and form through careful value control.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with dark, muted tones.

  3. step 03

    Block in the main shapes of the dress and sleeves, paying attention to the overall form.

  4. step 04

    Begin layering in the details of the dress, using a combination of dark and light tones to create texture and pattern.

  5. step 05

    Work on the face, starting with a base layer of skin tone and gradually adding highlights and shadows.

  6. step 06

    Refine the details of the hands, book, and other accessories.

  7. step 07

    Add the red curtain with highlights and shadows.

  8. step 08

    Add final details and adjust values to create a cohesive and realistic image.

color palette

primary · ivory black · cadmium red · yellow ochre

secondary · burnt umber · titanium white · gold

Mix various shades of skin tone using titanium white, yellow ochre, and a touch of cadmium red. Create the dress's gold patterns by mixing yellow ochre with small amounts of burnt umber and titanium white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details of the dress too early.
  • →Failing to create a convincing sense of depth and form.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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