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home·artworks·Portrait of Marie De Rohan, Duchess of Chevreuse
Portrait of Marie De Rohan, Duchess of Chevreuse by Claude Deruet

plate no. 5577

Portrait of Marie De Rohan, Duchess of Chevreuse

Claude Deruet

oilBaroqueportraitfiguredeerlandscapedressdogtrees
some experience helpful

Recreating this painting will help students develop skills in figure painting, drapery, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering realistic textures and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, focusing on the placement of the figure, deer, and background elements.

  2. step 02

    Block in the main shapes with thin washes of color, establishing the overall value structure.

  3. step 03

    Begin refining the figure, paying attention to the proportions and anatomy.

  4. step 04

    Develop the drapery, using highlights and shadows to create a sense of volume and movement.

  5. step 05

    Paint the deer, focusing on its anatomy and the subtle variations in its coat color.

  6. step 06

    Add details to the background, creating a sense of depth through atmospheric perspective.

  7. step 07

    Refine the details of the face, hands, and other focal points.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and drama.

color palette

primary · raw umber · titanium white · alizarin crimson · yellow ochre

secondary · viridian · ivory black · cadmium yellow

Mix various shades of brown and gray by combining raw umber, titanium white, and small amounts of alizarin crimson and yellow ochre. Achieve the green of the dress by mixing viridian with yellow ochre and white. Use alizarin crimson and white for the pink dress.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure or deer wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the background.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·viridian oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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