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home·artworks·Portrait of Maria Anna of Neuburg
Portrait of Maria Anna of Neuburg by Luca Giordano

plate no. 1145

Portrait of Maria Anna of Neuburg

Luca Giordano, 1694

oilBaroqueportraitportraithorsefigureskylandscapeclouds
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in capturing the texture of different materials like fabric, skin, and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, horse, and landscape elements.

  2. step 02

    Establish the main color blocks for the sky, background, and foreground.

  3. step 03

    Begin painting the figure on the horse, starting with the underpainting of the skin tones and the red dress.

  4. step 04

    Develop the horse's form, paying attention to the highlights and shadows to create volume.

  5. step 05

    Add details to the background landscape, including the trees, clouds, and distant buildings.

  6. step 06

    Paint the figures on the ground, focusing on accurate anatomy and skin tones.

  7. step 07

    Refine the details of the clothing, horse tack, and facial features.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · burnt umber · ivory black

Mix various shades of red by combining cadmium red with burnt umber and titanium white. Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Create atmospheric perspective by adding white to the blues and browns in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figures and horse.
  • →Overly saturated colors that lack subtlety.
  • →Flat, lifeless rendering of the drapery.
  • →Neglecting the atmospheric perspective in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve the flow of the paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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