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home·artworks·Portrait of Margaryta Murashko
Portrait of Margaryta Murashko by Oleksandr Murashko

plate no. 7992

Portrait of Margaryta Murashko

Oleksandr Murashko, 1909

oilRealismportraitportraitfiguretablebowlwindowtrees
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the proportions of the figure and the placement of objects.

  2. step 02

    Establish the background with broad strokes, indicating the light and shadow patterns of the window and trees.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and posture.

  4. step 04

    Mix and apply the base skin tones, gradually building up the highlights and shadows.

  5. step 05

    Refine the details of the face, focusing on the eyes, nose, and mouth to capture the likeness.

  6. step 06

    Paint the clothing, table, and bowl, paying attention to the subtle variations in color and texture.

  7. step 07

    Add the final details, such as the jewelry and the reflections on the table.

  8. step 08

    Adjust the overall values and colors to create a harmonious and balanced composition.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red light · viridian

Mix various shades of white with small amounts of blue, yellow ochre, and burnt umber to create the subtle variations in skin tone and the white clothing. Use ultramarine blue and white for the background wall. Mix greens for the foliage with yellow ochre and viridian.

techniques

  • ·portraiture
  • ·alla prima
  • ·color mixing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the correct proportions of the figure.
  • →Creating muddy or dull colors by overmixing.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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