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home·artworks·Portrait of Margaretha de Geer, Wife of Jacob Trip
Portrait of Margaretha de Geer, Wife of Jacob Trip by Nicolaes Maes

plate no. 0468

Portrait of Margaretha de Geer, Wife of Jacob Trip

Nicolaes Maes, 1660

oilBaroqueportraitportraitfigureclothingchairruffold woman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in painting complex textures like the pleated ruff.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and chair.

  2. step 02

    Establish the background with a dark, muted color.

  3. step 03

    Block in the main shapes of the figure, including the clothing and chair, using mid-tones.

  4. step 04

    Begin layering in darker values to define shadows and create depth.

  5. step 05

    Start building up the skin tones, paying attention to subtle variations in color and value.

  6. step 06

    Carefully render the details of the ruff, using highlights and shadows to create the illusion of pleats.

  7. step 07

    Add final details to the face, hands, and clothing.

  8. step 08

    Refine the overall composition and adjust values as needed.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre

Mix various shades of brown and gray by combining ivory black, raw umber, and burnt sienna. Use titanium white to lighten these colors and create highlights. Add small amounts of cadmium red light and yellow ochre to warm up the skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·layering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in color and value.
  • →Making the ruff look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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