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home·artworks·Portrait of Maréchal De France Henri De La Tour D'auvergne, Vicomte De Turenne
Portrait of Maréchal De France Henri De La Tour D'auvergne, Vicomte De Turenne by Charles Le Brun

plate no. 7862

Portrait of Maréchal De France Henri De La Tour D'auvergne, Vicomte De Turenne

Charles Le Brun

oilBaroqueportraitportraitfiguremanhairclothinghistorical
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including proportion and capturing likeness, as well as understanding subtle color variations in skin tones and hair. It also offers practice in rendering fabric and creating a sense of depth through layering.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hair.

  2. step 02

    Establish the background color with a thin wash of burnt sienna and white.

  3. step 03

    Block in the main areas of light and shadow on the face, using a limited palette of earth tones.

  4. step 04

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Develop the hair, using a variety of brushstrokes to create texture and volume.

  6. step 06

    Add details to the clothing, including the collar and any visible fabric folds.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights where needed.

  8. step 08

    Add final details and glazes to enhance the realism and depth of the painting.

color palette

primary · burnt sienna · raw umber · titanium white

secondary · ivory black · yellow ochre · ultramarine blue

Achieve skin tones by mixing burnt sienna, raw umber, and white, with small amounts of yellow ochre and blue for subtle variations. Darken shadows with ivory black and burnt sienna. Hair color can be achieved by mixing burnt umber, ivory black, and white.

techniques

  • ·portraiture
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle color variations.
  • →Failing to create a sense of depth and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned canvas to start.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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