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home·artworks·Portrait of Magdalena de Cuyper
Portrait of Magdalena de Cuyper by Jacob Jordaens

plate no. 4068

Portrait of Magdalena de Cuyper

Jacob Jordaens, 1636

oilBaroqueportraitportraitfiguredraperychairinteriorflower
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict complex textures like fur and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with broad washes of color, paying attention to the light and shadow patterns.

  3. step 03

    Block in the main shapes of the figure, including the face, clothing, and hands.

  4. step 04

    Begin refining the facial features, focusing on capturing the likeness and expression.

  5. step 05

    Develop the details of the clothing, including the fur collar, ruff, and fabric folds.

  6. step 06

    Add the details of the chair and the background elements, such as the drapery and the flower.

  7. step 07

    Refine the light and shadow throughout the painting, creating depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · burnt umber · cadmium red · titanium white

secondary · yellow ochre · ultramarine blue · raw sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Dark clothing is achieved by mixing ivory black with ultramarine blue and burnt umber. Use glazes to create depth in the drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to capture the likeness of the subject.
  • →Overworking the details and losing the overall sense of form.
  • →Not paying enough attention to the light and shadow patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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