
plate no. 4068
Jacob Jordaens, 1636
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict complex textures like fur and fabric.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the proportions and placement of the figure and key elements.
Establish the background with broad washes of color, paying attention to the light and shadow patterns.
Block in the main shapes of the figure, including the face, clothing, and hands.
Begin refining the facial features, focusing on capturing the likeness and expression.
Develop the details of the clothing, including the fur collar, ruff, and fabric folds.
Add the details of the chair and the background elements, such as the drapery and the flower.
Refine the light and shadow throughout the painting, creating depth and dimension.
Add final details and highlights to complete the painting.
color palette
primary · ivory black · burnt umber · cadmium red · titanium white
secondary · yellow ochre · ultramarine blue · raw sienna
Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Dark clothing is achieved by mixing ivory black with ultramarine blue and burnt umber. Use glazes to create depth in the drapery.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne