apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Maffeo Barberini
Portrait of Maffeo Barberini by Caravaggio

plate no. 0320

Portrait of Maffeo Barberini

Caravaggio, 1598

oil, canvasBaroqueportraitportraitfiguremanchairclothingbeard
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to model forms using light and shadow. It will also provide practice in rendering realistic skin tones and drapery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and the placement of the figure.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure with mid-tones, focusing on the overall value structure.

  4. step 04

    Begin building up the highlights on the face, hands, and white collar, using thin layers of paint.

  5. step 05

    Refine the details of the face, paying attention to the subtle variations in skin tone.

  6. step 06

    Develop the drapery, using darker values in the shadows and lighter values in the highlights to create a sense of volume.

  7. step 07

    Add the details of the chair and any other accessories.

  8. step 08

    Glaze the painting with thin layers of color to unify the overall effect and enhance the depth of the shadows.

color palette

primary · ivory black · burnt umber · titanium white

secondary · raw sienna · cadmium red light

Mix various shades of brown and gray by combining black, umber, and white. Use small amounts of red and sienna to warm up the skin tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not paying enough attention to the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·cadmium red light oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →paint like caravaggio →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne