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home·artworks·Portrait of Ludovic Sribarni
Portrait of Ludovic Sribarni by Ivan Mrkviсka

plate no. 9304

Portrait of Ludovic Sribarni

Ivan Mrkviсka, 1903

oilRealismportraitportraitchildfigureclothingtoy horsered background
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric textures and creating depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and the toy horse on the canvas.

  2. step 02

    Establish the background color with a thin wash of red, varying the tone slightly.

  3. step 03

    Block in the main areas of color for the skin, clothing, and toy, focusing on the overall values.

  4. step 04

    Refine the facial features, paying close attention to the subtle variations in skin tone and the play of light and shadow.

  5. step 05

    Add details to the clothing, such as the collar, buttons, and folds, using a variety of brushstrokes to create texture.

  6. step 06

    Paint the toy horse, capturing its form and texture with careful observation.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · red · white · black · yellow ochre

secondary · burnt umber · raw sienna · cadmium red

Mix skin tones by blending white, yellow ochre, and a touch of red and umber. Achieve the red background by mixing cadmium red with burnt umber for darker areas and adding white for highlights.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (red, white, black, yellow ochre, burnt umber)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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