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home·artworks·Portrait of Louis XIV
Portrait of Louis XIV by Charles Le Brun

plate no. 9445

Portrait of Louis XIV

Charles Le Brun, 1661

oilBaroqueportraitportraitfigurehairarmorlaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as practice blending and layering techniques to create realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and overall pose.

  2. step 02

    Establish the background with a thin wash of dark brown or gray.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and armor.

  4. step 04

    Begin refining the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Develop the details of the hair, using layering and blending to create volume and texture.

  6. step 06

    Work on the clothing and armor, adding details such as the lace collar and the fleur-de-lis pattern.

  7. step 07

    Refine the lighting and shadows throughout the painting to create depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix skin tones by blending white, red, yellow ochre, and a touch of brown. Use varying amounts of white to create highlights and shadows. For the armor, mix browns and yellows with a touch of black to create a metallic sheen.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·varnish

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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