
plate no. 3731
Julian Ashton, 1880
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating subtle gradations of color and value to model form.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.
Block in the background with a thin wash of muted brown and gray tones.
Establish the main areas of light and shadow on the face and beard using a limited palette of earth tones and white.
Begin to refine the features of the face, paying close attention to the shapes of the eyes, nose, and mouth.
Add details to the beard, using short, broken brushstrokes to create texture and volume.
Block in the clothing with dark browns and grays, creating subtle folds and highlights.
Refine the details of the clothing, adding buttons, seams, and other details.
Make final adjustments to the values and colors throughout the painting to create a sense of depth and realism.
color palette
primary · titanium white · burnt umber · raw umber
secondary · yellow ochre · ivory black
Achieve skin tones by mixing white, yellow ochre, and a touch of burnt umber. Use raw umber and black to create the darks in the clothing and background. Add small amounts of white to lighten these colors.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches) for this project. A variety of brushes, including round and flat brushes, will be helpful for creating different textures and details.
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