apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Lieutenant-General Andrei Alexandrovich Nilus
Portrait of Lieutenant-General Andrei Alexandrovich Nilus by Nikolai Kuznetsov

plate no. 5200

Portrait of Lieutenant-General Andrei Alexandrovich Nilus

Nikolai Kuznetsov, 1917

oilRealismportraitportraitfiguremilitary uniformmedalmanclothing
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering complex details like medals and uniform embellishments. It also provides practice in creating depth and form using subtle value changes and visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's pose and proportions on the canvas.

  2. step 02

    Block in the main shapes and colors of the background and the figure's uniform using thin washes.

  3. step 03

    Establish the basic values and skin tones of the face, focusing on accurate placement of features.

  4. step 04

    Begin layering and blending colors to refine the facial features and create a sense of depth.

  5. step 05

    Add details to the uniform, including the medals, epaulettes, and other embellishments.

  6. step 06

    Refine the background, adding subtle variations in color and texture to create depth.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Make final adjustments to the colors, values, and details to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna · cadmium yellow

secondary · ultramarine blue · cadmium red light · titanium white

Mix various shades of brown and gray by combining raw umber, burnt sienna, ivory black, and titanium white. Use cadmium yellow and burnt sienna for the gold details. Mix ultramarine blue and ivory black for the dark blue of the uniform.

techniques

  • ·portraiture
  • ·layering
  • ·blending
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall form.
  • →Using colors that are too saturated or unrealistic.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, burnt sienna, cadmium yellow, ultramarine blue, cadmium red light, titanium white)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy