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home·artworks·Portrait of Lady
Portrait of Lady by James Taylor Harwood

plate no. 4417

Portrait of Lady

James Taylor Harwood, 1887

oil, canvasRealismportraitportraitfigureclothinglacejewelry
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of fabric textures. It also provides practice in creating a focal point through detail and contrast.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose.

  2. step 02

    Block in the main shapes and values of the background, clothing, and skin.

  3. step 03

    Begin refining the skin tones by layering and blending colors.

  4. step 04

    Add details to the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Paint the clothing, paying attention to the folds and textures.

  6. step 06

    Carefully render the lace collar and jewelry, using fine brushstrokes.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the form.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna · ultramarine blue

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber or blue for shadows. The background is a blend of umber, black, and a touch of green.

techniques

  • ·portraiture
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Incorrect proportions of the face.
  • →Overly harsh or muddy skin tones.
  • →Lack of detail in the facial features.
  • →Flat or lifeless rendering of the clothing.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints: ivory black, raw umber, titanium white, cadmium red light, yellow ochre, burnt sienna, ultramarine blue
  • ·Round brushes (sizes 0, 2, 4)
  • ·Flat brushes (sizes 4, 6)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering and blending.

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