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home·artworks·Portrait of Kristian Zahrtmann
Portrait of Kristian Zahrtmann by Wenzel Tornøe

plate no. 4253

Portrait of Kristian Zahrtmann

Wenzel Tornøe, 1863

oil, canvasRealismportraitportraitfiguremanclothingbow tieface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing subtle variations in skin tones. It also provides practice in rendering realistic fabric textures and folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the overall background color with a thin wash of burnt umber and yellow ochre.

  3. step 03

    Block in the major shapes of the figure: head, torso, and clothing.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow.

  5. step 05

    Develop the details of the clothing, including the folds and textures of the jacket and bow tie.

  6. step 06

    Work on the hand, focusing on accurate proportions and subtle color variations.

  7. step 07

    Refine the background, adding subtle variations in tone and texture.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red light · ultramarine blue

Skin tones can be achieved by mixing titanium white, yellow ochre, and a touch of cadmium red light. The darks in the clothing are created by mixing ivory black and burnt umber. The background is a blend of burnt umber and yellow ochre, with subtle variations in tone.

techniques

  • ·portrait drawing
  • ·value study
  • ·blending
  • ·layering
  • ·glazing

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overly harsh or flat skin tones.
  • →Lack of detail in the clothing and background.
  • →Ignoring subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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